Opposite Page: Zova (Stacy Dorning) and Cantar (Peter Duncan) in The Exiles. Above: Emma Porteous's designs Jagger. I was a little wary of leaving my permanent job, but it was an incredible opportunity so I took it."    By the mid-Seventies Emma had a num- ber of notable film credits to her name, including Entertaining Mr. Sloane and Swallows and Amazons. She was sub- sequently lured back to television by a call from Gerry Anderson, who invited her to work on the second year of Space: 1999. "I thought it was a glorious thing to do because it gave me the chance to sit down and design for a change. A lot of films only require ordinary everyday clothes, and I had missed the design element, be- cause when I was at ATV I used to do all the big musicals and the shows with danc- ers. To come back to something that in- volved designing every single week was wonderful." A Change of Style    Initially, her brief was extremely lim- ited; "I was to try and make their uniform a little less harsh, because they were very uncompromising and not terrible flatter- ing. I had to get jackets to go with the, put some more colour into them and make them a little less austere. That's really what they approached me to do, and it went on from there. Once they'd seen what I'd done, and I'd designed some things for Barbara Bain and Martin Lan- dau, they asked me to do the series. Origi- nally I think the set designer, Keith Wilson, was doing a lot of the aliens, but they asked me if I'd like to do them and I couldn't think of anything nicer."    Did she watch any of the first season as it was broadcast? "I did, and I got some ideas from that, but they wanted a fresh outlook on it really. One hadn't got to be too initibited from the first series. They gave you a marvellously free hand, al- though there wasn't in fact that much money on it, but enough to let you be inventive." Emma was unable to re-cycle the wardrobe from the first season to any great extent: "We just used a few of the

uniforms and put bands of colour on them." Designing Maya    Emma's next major project for the show was to create a look for the new regular character Maya, played by Catherine Schell. "She was this wonderful alien and had to be terribly exotic. Whatever you do you're always influenced by the fashion of the time, and looking back now I think it looks terrible Seventies. I made Cather- ine very feathered and glamourous, and it worked well because I got a wonderful grey shimmering fabric. I got lots and lots of grey ostrich feathers, so when she moved it all fluttered and looked slightly bird-like. The jewellery had to look as though it was nothing to do with modern day stuff, and we made all that and the centre piece was a reflective material that glowed when the light was shone on it.    "The make up was very much Keith Wilson's idea--the dotted eyebrows she had. He was very much involved, then he left me on my own when I was estab- lished."    Did either of the leading ladies have any strong feelings about the clothes they should be wearing? "Not really, they were all extremely amenable. I think once you're told you're an alien you're open to suggestions."    Emma would follow the same routine on each episode in order to achieve her de- signs. "I'd get my script, then I'd break it down and get ideas, and meet with the set designer and discuss it. You go away and make sketches, then bring them back to show the producers." She stresses that at this stage all of the design departments would work extremely closely on achiev- ing a unified look: "It all had to be part and parcel, so we had meetings and talked about it. When I did my designs, I tried to do the make-up and hair with them, so that made it much easier. It's very difficult to design just the clothes in isolation, but the other designers had their own ideas and we all contributed together."    "We had everything made, and I had the most wonderful seamstress who set up her own little workroom, and we just designed and made everything either in the studio or with various outworkers. We got fab- rics from everywhere; I trailed round the shops endlessly, to places like Boro- vicks." The Exiles    Although she has few memories of de- signing for the evil Mentor in the series opener The Metamorph, Emma does have strong recollections of the second story

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