All special effects shots were first drawn as storyboards. Each image shows the design for a specific shot, and is crossed off when the shot was completed. At the start of the series they were drawn by Brian Johnson and Cyril Forster, but as Brian became busier Cyril took over most of the work. The first series storyboards are black and white and fairly crude; in the second series Cyril used colour to give a more effective sense of the shot.
The drawings/ description are either in pairs, on pieces of paper 32.5cm x 20.5cm (approx.), laid out in landscape format or a single 16.5cm X 20.5cm (approx.) portrait format eg: one of the big pieces cut in half, They are not regular A4 or A5. The drawings are then stuck to one large piece of black cartridge type paper and slid into a big ArtCare slip. The whole thing is approx. 85cm x 61.5cm.
The individual sheets of paper that the paintings/directions are executed upon are photocopied blanks with spaces to enter the story, scene and slate number. There's a bordered space for the picture and below it space for the "remarks" eg: direction/ description of the shot, plus "space sky" and "planet ext" to be crossed through as required. The "remarks" below the pictures are mostly reproduced from the shooting script.
As a shot was completed a big cross was put over the relevant picture with a chinagraph (grease) pencil. The crossings out are still present and as they are on the plastic slip the drawings are unaffected. One picture per sheet always has a small inked stamp :-
Date................................................... (Alas not filled in)
BRAY FILM STUDIOS
ATTN BRIAN JOHNSON
Brian Johnson would sign across the stamp to indicate he was happy with the design for the shots.
Comments thanks to Simon Rhodes; images thanks to Simon Rhodes and James Winch.