The Production GuideScript To Screen: The Exiles
by Martin Willey
The Production Guide
Shooting for this episode began on the Life Support Complex set. Filming was completed on the set on February 19th and then moved to Koenig's quarters, including the scenes with Helena's clay head (the Art Department had to prepare several "repeats" of the head, so it could be replaced between takes).
Meanwhile, David Lane filmed the shots of the stars for the Year 2 title sequence, and some pick-up shots for The Metamorph. Further filming for the titles would take place on Thursday 26th, when Brian Johnson filmed shots of a buzzard and white Alsatian for Maya's transformations, and Friday 27th, when a camera crew from Bray visited "M" stage to film the close-up of Catherine Schell's eye.
Although director Ray Austin completed filming The Exiles with an extended day on Monday March 1st, additional scenes were filmed by Kevin Connor over 3 months later. This added sequence featured Maya as a gorilla rescuing Petrov; it was filmed on June 7th.
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GERRY ANDERSON PRODUCTIONS LIMITED "SPACE 1999" - SERIES II |
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CALL SHEET No: 3 |
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EPISODE: "THE EXILES" |
DATE: THURSDAY: February 19, 1976 |
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DIRECTOR: RAY AUSTIN |
STAGE: L |
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UNIT CALL: 8:30 a.m. |
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ARTISTE |
CHARACTER |
D/R |
M/UP |
ON SET |
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INT. LIFE SUPPORT COMPLEX: Sc. Nos. 80. 81. 82. 83. 89pt. 105 |
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MARTIN LANDAU |
KOENIG |
321 |
8.30 |
9.00 |
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BARBARA BAIN |
HELENA |
322 |
7.00 |
8.30 |
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CATHERINE SCHELL |
MAYA |
328 |
7.30 |
9.00 |
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STACY DORNING |
ZOVA |
327 |
7.30 |
8.30 |
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PETER DUNCAN |
CANTAR |
336 |
7.30 |
8.30 |
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TONY ANHOLT |
TONY |
335 |
8.00 |
8.30 |
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INT. CORRIDOR: COMMAND CENTER: Sc. 108. |
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MARTIN LANDAU |
KOENIG |
321 |
from above |
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BARBARA BAIN |
HELENA |
322 |
from above |
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TONY ANHOLT |
TONY |
335 |
from above |
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INT. KOENIG'S QUARTERS: Sc. Nos. 70. 90. 92 |
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MARTIN LANDAU |
KOENIG |
321 |
from above |
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BARBARA BAIN |
HELENA |
322 |
from above |
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CATHERINE SCHELL |
MAYA |
328 |
from above |
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STACY DORNING |
ZOVA |
327 |
from above |
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PETER DUNCAN |
CANTAR |
336 |
from above |
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TONY ANHOLT |
TONY |
335 |
from above |
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ZIENIA MERTON |
SANDRA |
326 |
S/BY till 1 p.m. |
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ALAN MEACHAM |
for Mr. Landau |
312 |
8.00 |
8.30 |
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SUZANNE HEIMER |
for Miss. Bain |
312 |
8.00 |
8.30 |
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PAT THOMPSON |
for Miss Schell |
312 |
8.00 |
8.30 |
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PAT SCOTT |
for Miss. Dorning |
312 |
8.00 |
8.30 |
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PROPS: |
As per script to include: commlocks, stun guns, clay head of Helena and repeats, |
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ART DEPT: |
Clay head and repeats of Helena |
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S.F.X. |
Koenig to blast door: Sc. 81. Control box to blow up Sc.81 |
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ELECTRONIC: |
Sandra on T.V.Monitor: Sc.70: Cantar on T.V.Monitor: Sc.70: |
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CAMERA: |
Elemack dolly required. |
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ELECTRICAL. |
Strobing blue light effect: Scs.80. 81. |
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FIREMAN and FIRST AID: Standby on set: TO BE CONFIRMED. |
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CATERING: |
A.M. and P.M. breaks for 80 people on "L" Stage. |
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TRANSPORT: |
Ray Atkins to pick up Mr. Landau and Miss Bain as arranged as bring Unit Car (Steve Smith) to pick up Miss Schell as arranged and bring to |
SECOND UNIT (MUTE)
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Director: DAVID LANE: |
TITLE SHOTS |
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Shots: |
1) Int. Command Center, |
flashing panels. |
NOTE: |
Artistes when |
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For Episode 1: "THE METAMORPH" - |
Red Alert Boxes: |
STAND INS: BILL WESTLEY for Mr Landau: CHRISTINE SPOONER for Miss. Schell 8.30
ROBERT LYNN
Assistant Director
Copyright Martin Willey