Production GuideStoryboards
Production Guide
This is the last special effects storyboard for episode 22, Devil's Planet. There are 12 scenes on this board, the last of the 40 SFX shots for the episode. 5 of them are not drawn as they are continuations of previous shots. They are marked "Don't ignore me", to remind the SFX crew to film the shot with the previous set-up.
Scene 122, slate 29X.
High angle set-up as Sc 110. Eagle takes off
Scene 127, slate 30X.
Eagle ascends thru' frame
Blue sky
Not used here, but seen earlier during in show credits (Koenig's Eagle leaving Entra)
Scene 130, slate 31X.
Commence with set-up Sc.53A. Dramatic zoom in to set-up sc.53B
Scene 133A, slate 32X.
Establish prison as Sc 56. Widest angle
Scene 138, slate 33X.
Crashed in revealed as we track bushes and overhanding creepers.
Koenig's P.O.V. as if running.
The shot is static, not a POV shot.
Scene 142A, slate 34X.
Static. Set-up as Sc 138 widest angle. Eagle completely obscured.
Branch of foliage is pulled aside to reveal Eagle.
Not used in episode.
Scene 144/6, slate 35X.
Laser gun on top of Eagle elevates and turns towards camera. Medium speed action for 2 cuts.
Scene 162, slate 36X.
Long shot of prison. Koenig's P.O.V. thru trees
Scene 164, slate 37X.
Set-up on prison as Sc 56A, zoom in on lions' heads as close as possible.
Scene 174, slate 38X.
Eagle Two flying away from planet Entra (Green).
The planets are marked "B" and "G" (for blue and green, presumably). Someone has drawn a crocodile. In the final shot, Entra is the same cloudy planet used as Tora (from The Seance Spectre) and isn't green at all.
Scene 176, slate 39X.
Eagle turns and flies out of frame.
Scene 179, slate 40X.
Eagle slowly descending thru shot.
The drawing is annotated "Eagle L-R" (left to right). The shot is filmed with the Eagle moving right to left.
Thanks to James Winch